2 HN users recommended this music video2 months2018–2024score 2
Years with an HN recommendation, 2007–2026
Recommended as a definitive Gould interpretation whose playing makes Bach's counterpoint clear.
A 1960 CBS clip in which Leonard Bernstein introduces and conducts Bach's Keyboard Concerto No. 1 in D minor with a 28-year-old Glenn Gould at the piano. Gould's performance starts around 5:08.
“Have a look/listen at Glenn Gould's version, which makes the counterpoint really clear [1].” (HN, 2019)
If anyone is interested in Bach's keyboard literature, it's hard to top the interpretations of Glenn Gould, a fascinating musician in his own right. Here, for example, is a seminal performance of the D minor concerto, conducted by Leonard Bernstein: [this video]
Seminal Gould performance of the D minor concerto under Bernstein
I find Osetinskaya plays so fast that it's difficult to make out the counterpoint. Have a look/listen at Glenn Gould's version, which makes the counterpoint really clear [1]. As you might know, this interpretation was controversial at the time. [1] [this video]
Gould's interpretation makes the counterpoint clear
I felt that way at first, but after getting around to listening to a few of them you start to realize he repurposed a lot his favorite material from these cantatas into his instrumental works. For example, one of Bach's innovations was the keyboard concerto - where the keyboard played the central solo role. The profound Harpsichord Concerto in D minor BWV 1052, [this video] , is actually reworked from the cantatas BWV 146 & 148. While there's obviously plenty to enjoy w/o dipping into the cantatas, you might miss out on making these kinds of connections which I think really enriches our understanding of the instrumental works.
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