Bryan Mills jumps a fence

> The camera moved at the same speed as Affleck, gliding with unvarying smoothness, which is exactly how Fincher likes his shots to behave. I appreciate this so much. There’s a lot of shaky cam out there and it often gives me motion sickness or confuses my understanding of the scene. It also feels like a cheap trick directors use to create faux excitement, or to cover up sloppy filmmaking. Fincher movies are easy to watch and understand visually. He does a lot of wide shots and long shots without sloppy cuts. In Panic Room he did a single shot (although CGI) that lasted several minutes and showed the viewer around the entire set in a single uninterrupted view. It was glorious. I wish this approach was more common. Although I expect it’s not because it’s hard to accomplish. Here are two of the worst abuses of fast cut, shaky cam scenes out there: [this video] [link]